"You're sampling what the mic is taking from the room too," the singer explains. "It's getting the room back, again and again and again. What it's going to sound like in an arena. . ." Yorke's eyes go wide with delight. "I'd forgotten about that. It could be something."
妈妈萌死我了我大哭

on a cool midsummer evening in Oxford, Colin is strolling briskly to a pub in the old center of the city, noting historic sites along the way. He gestures at a narrow door leading into Modern Art Oxford, a prominent gallery. When they weren't playing together or in school, the young members of Radiohead hung out in the basement lounge, "talking forever, each of us over a single cup of coffee for five hours," Colin says.

Around the corner, he points to a store – part of Cult, a clothing chain – and notes with a bemused smile that Yorke worked in another local branch as a salesman. It is an improbable image: Yorke, a compact man of impatient energy and lethal irony, closing a deal on designer jeans.

看出一种young and beautiful的感觉

Then there is the Bear Inn, a truly ancient pub (established 1242) with perilously low ceilings. Colin, an Oxford native, and Yorke – born in a small East Midlands town, Wellingborough, and raised for a time in Scotland – first met in their preteens. They were both taking classical-guitar lessons at Abingdon School, outside Oxford. At the Bear, the two managed to buy drinks even though they were underage and talked about their role models for the band they planned to form: New Order, Talking Heads and Yorke's favorite, R.E.M.

Over a pint of ale at a picnic table outside the Bear, Colin fondly recalls "that excitement of noise" at Radiohead's first local gigs, "when you play in a pub, borrowing some older guy's Fender bass cabinet and you've had four cans of lager to get your courage up. We did that for the first show we ever did. It was a 20-minute walk that way." He points down the street running behind the Bear, toward the Jericho Tavern. Radiohead made their concert debut there in 1986 under the name On a Friday, after their usual rehearsal day, when the members were all at Abingdon School. Selway, the oldest member, was 19; Jonny was not yet 15.

Later, standing outside a restaurant in a residential neighborhood, Colin notes another Radiohead shrine: the house near the corner of Magdalen Road and Ridgefield Road that Colin, Selway and O'Brien rented in the summer of 1991. The band stored its equipment there, and all five members lived there, in varying combinations, for about a year. "Good times," Colin says with a sigh, "although Jonny never did any of the washing up."

Selway characterizes that period as "good training for tour buses. There were piles of pizza boxes in the corner. It would get so unbearable that someone would have to do the cleaning. I was coming and going for most of the year. I seem to remember Colin moving into my room after I'd decorated it quite nicely."

网页链接
这什么？我船。吃一口。妈呀齁死我了！这什么？我船。吃一口。妈呀齁死我了！这什么？我船。吃一口。妈呀齁死我了！这什么？我船。吃一口。妈呀齁死我了！这什么？我船。吃一口。妈呀齁死我了！这什么？我船。吃一口。妈呀齁死我了！这什么？我船。吃一口。妈呀齁死我了！

>>Po.836049
我观前几日ts live：妈呀哥别看了，弹你的琴！妈呀哥别弹你那琴了，抬头看眼！

感觉目前看的最萌的一场好像是七月的一场，两个人弹完outro之后傻乐，，乐了半天，Skinner：🤨？

STAR QUESTION: How did you get into writing soundtracks? And how does it differ from writing pop songs? As you can guess, I'm jealous of your new calling...
Matt Bellamy, Muse
It's just a different way of collaborating with people - like being in a band with a director. And a bunch of images and stories instead of drummers and bass players. It’s fun! Don't be jealous. Plus, you and I would only ever get to see the most pampered side of the job. Composers who do it properly all the time aren't treated too well - on many films they're ranked way below, say, make-up in order of importance, and not given much freedom to try things out. I was just offered a film because they had to “let go” of their current composer and I think that happens a lot - in fact. I probably came close during the scoring for The Master. I kept adding jazz flute. Paul kept sending me pictures of Ron Burgundy.
我操这个问题怎么会事马特贝拉米问的，大哥我就知道你是电头深柜

>>Po.836076
乔宝宝，，你好温柔，，

"Something like that. I always remember one particular wild night, when we toured with REM in 1995, and I would watch him from the side of the stage," he says. "I would stand there and watch him every night, unless I was too drunk that I couldn't stand. This one night this extraordinary thing came out of him – I mean he was really out there at the time, utterly bonkers, which he will freely admit now – but it was quite something to watch someone communicate something way deeper than entertainment. It was very exciting to see."

Stipe, I say, seemed keen to take Yorke under his wing, a kind of disciple, of sorts.
Yorke laughs out loud at the idea. "I'm going to text him later and tell him you said that. He would love that. I think it was just that at the time he saw I needed a lot of help, I was struggling with it all. He is still my favourite uncle, my godfather or something. Last time I saw him I was DJing in New York and he came in wearing this white suit and just danced his arse off all night, and we said like three words to each other, had a hug and he left. But that was great, just to know he was there."

我去嗑死我了

再搞这个什么性手枪我就去死

爸爸妈妈还活着吗？还活着发条推特行不行

单看推特我船就像是：左派社会活动家和古典乐爱好者，两个人除了互关之外没什么联系

哥们半天连不上zhelper用的公共网关只能遗憾退场了

哥们别看了弹你那琴

我真的。非常喜欢。这期vogue封面。

>>Po.835658
今早读了几篇interview，感觉也没那么难懂，就是一个在社交关系上特别自恋、高自尊和自我中心的人，有点像他给自己建了一个很美丽的玻璃壳子，不仅是一层闪烁的辉光，还能可以自我安慰道“没人碰触我是因为我自己把自己隔绝在外”，手枪的解散就是一颗击碎这层玻璃壳的子弹，当约翰莱顿敞开心扉求救的时候，所有人都避而远之，选择了马尔科姆和“更远大的性手枪愿景”，这个被爱的迷思就随之破灭了，后来对手枪的一系列攻击也是理所应当的事，接近恼羞成怒吧

在fedi感觉到一种知识洪流开源共享的pleasure

>>Po.836249
就是非常、非常喜欢stereotype里的“东亚脸”，被贵乡网友恨死了的“辱华脸”，带雀斑的皮肤和高高的颧骨，眼距稍微开一点的单眼皮长相，细细的吊吊的眉，倒也不一定要是东亚，白人有这种长相的我也特别特别喜欢，不知道为什么，感觉是某种精灵

>>Po.836247
经典永流传！